Entertainment
Tyson Fury vs Francis Ngannou: Heavyweight showdown of the century
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During a scheduled press conference in London, World Heavyweight Champion Tyson Fury showcased himself as a larger-than-life entertainer. He grabbed the microphone and confidently strolled across the stage. He offered compliments to his opponent, Francis Ngannou, who is set to face him on October 28th.
“You’re one good-looking son of a b*tch.” Fury playfully said. He expressed gratitude and praised Ngannou for his bold move away from the UFC.
Fury constantly engaged with the audience, shaking hands, conducting interviews, and posing for pictures. Even during the post-press conference, the face-off was entertaining, with a shirtless, less-toned Fury standing nose to nose with the chiseled Ngannou.
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Critics have understandably questioned the Fury-Ngannou matchup. At 35, Fury is the reigning heavyweight boxing champion and has undefeated pound-for-pound lists. In contrast, Ngannou, at 37, has spent his career in mixed martial arts and will make his boxing debut. Promoter Bob Arum highlighted Ngannou’s incredible power, while Frank Warren, Fury’s longtime promoter, promised excitement.
Ngannou’s power is well structured, having dispatched numerous opponents in the UFC. For this fight, he got Iron Mike Tyson to train him for the fight night. Fury, however, plans to implement a different strategy, relying on his jab and head movement and waiting for Ngannou to tire before launching his powerful right hand.
Fury also made mention of Ngannou’s large target, “a big head that’s hard to miss”. It’s suggested that fighters like Anthony Joshua and Deontay Wilder wouldn’t hesitate to take a similar deal. Former cruiserweight champion Tony Bellew dismissed the fight as a “joke” but acknowledged he’d accept the offer in a heartbeat.
While Fury could have faced other opponents like Filip Hrgović, Frank Sanchez, or Martin Bakole, those fights wouldn’t have gained the attention of this level. Fury stands to collect a substantial sum, with the odds overwhelmingly in his favor.
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Bob Arum encouraged reporters to review Ngannou’s tapes, revealing a fighter whose punches seem to move in slow motion by boxing standards. Ngannou acknowledged working on improving his “delivery system,” a critical aspect of his strategy for the fight. Fury, seated at the opposite end of the table, simply smiled.
The fight will draw UFC fans eager to witness Ngannou’s transition, boxing enthusiasts who follow Fury, and casual viewers curious about the battle between the MMA powerhouse and the boxing champion.
As the excitement builds for this extraordinary showdown, Ngannou summed up his intentions by saying, “I’m going to be out there hunting for that guy’s head”. Yet Fury remains confident that he won’t be an easy target, declaring, “If I lose to an MMA guy, I’ll never be able to show my face in public again.”
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Entertainment
Ryan Murphy Finds His Carolyn Bessette-Kennedy in Sarah Pidgeon for American Love Story
Ryan Murphy has finally settled on the actress to portray Carolyn Bessette-Kennedy in his highly anticipated anthology series American Love Story for FX. The role, one that demands an actress who can capture Bessette-Kennedy’s legendary poise and ’90s style, has gone to Sarah Pidgeon, known for her breakout role in The Wilds.
The series will explore the iconic romance between John F. Kennedy Jr. and Carolyn Bessette-Kennedy, and the casting of Pidgeon, as reported by Deadline, is sure to spark even more interest in this much-anticipated project. The choice of Pidgeon, celebrated for her nuanced performances, comes after much speculation about who could possibly embody the ethereal grace and mystery that made Bessette-Kennedy a style icon of the ’90s.
This marks a major milestone for Pidgeon, who will now take on what is likely the role of a lifetime, portraying one of the most talked-about figures of modern American history. As Murphy continues to craft his unique vision for this story, fans and critics alike are eager to see how Pidgeon brings Bessette-Kennedy to life on screen.
The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
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