Featured
Is this the time to share our earth with creatures living on other planets?

The Mexico Congress hosted an unusual event during a public hearing of the Mexico Congress, which was live-streamed online.
Two alleged corpses believed to be of non-human alien species were displayed.
It is found that these Corpses are at least 1000 years old. The two small non-human corpses were displayed in Window boxes.
The event was led by Mexican journalist and ufologist Jamie Hassan, who has been investigating the extra Terrestrial phenomena for decades, and cohosted by a Mexican scientist organizer, who claimed that the small mummified specimens were a thousand years old and had been allegedly retrieved from Cusco Peru.
This incident has again opened the door for conversation about life that exists beyond our solar system and our planet as the display of alien bodies in Mexico Congress during the public hearing is creating sensation all over the internet demanding the science department to research the found thing and the existence of aliens that is the existing living creature beyond Earth.
The debate is still ongoing on whether the extra Terrestrial life exists, but as per the reports, it’s definitely not a human death. Ad, it has three fingers in its skeleton; it’s a clear cut to prove that it is something else.
There are several other videos viral over the internet displaying unidentified phenomena in the sky along with UFOs, as per the Mexican media.
There are also arguments like humans were not on the planet 1000 years ago, so what are the fossils exactly of? Are they of this ancient mummy or a non-human existing thing present 1000 years ago on Earth?
In the X-rays of the bodies, it was found that there were eggs inside one of the bodies, and both had implants made of extremely rare metals. The body containing an egg inside a definitely means that they were reproductive and has the capacity to implant, so, now, this is becoming very interesting and sensational all around the World to rectify what it is exactly.
The clear answer to this mystery is still unraveled.
Business
Sarah Burton’s Givenchy Debut: A New Era Through the Female Gaze

Sarah Burton has officially redefined Givenchy. In her Fall 2025 debut at Paris Fashion Week, the former Alexander McQueen creative director brought a feminine perspective to the legendary house, embracing strength, vulnerability, and emotional intelligence. This moment felt significant—not only because of Burton’s storied past but also because so few women currently helm major luxury brands.
A Tribute to Givenchy’s Heritage
Burton’s inspiration came from Hubert de Givenchy’s 1952 debut collection, known for its clean, graphic silhouettes. A recent discovery of the maison’s archival calico patterns further fueled her vision, leading to designs that balanced wearable ease with dramatic, couture-like elements.
The show opened with a black fishnet catsuit, a bold reset before transitioning into the essence of Burton’s Givenchy—a collection that honored the past while embracing modern femininity.
Key Looks & Defining Elements
Oversized Suits with Cinched Waists → A powerful balance of structure and fluidity.
Sleeveless Dresses with Ruffled Hemlines → Adding movement and drama to everyday elegance.
Cocoon-Like Coats & Jackets → Featuring rounded, puffed-up shoulders, nodding to Givenchy’s classic volume play.
Body-Diverse Runway Casting → One of the few Paris shows this season to feature a range of body types, reinforcing Burton’s commitment to dressing real women.
A New Vision for Modern Women
Burton’s Givenchy is about more than just clothes—it’s about how women want to feel: powerful, sexy, vulnerable, and strong, all at once. Her debut collection wasn’t just a runway success—it was a statement on the future of fashion, where femininity is both celebrated and redefined.
Featured
Louis Vuitton Fall 2025: Reimagining the Traveler’s Wardrobe

For Fall 2025, Nicolas Ghesquière took Louis Vuitton on a journey—literally. His latest collection transported attendees to a train platform, drawing inspiration from cinematic railway moments like Casablanca, Brief Encounter, Snowpiercer, and 2046. The setting? The soon-to-reopen L’Étoile du Nord train station near Gare du Nord in Paris, reinforcing the romanticism of travel through fashion.
A Vision of Travelers Through Time
The collection imagined travelers from different eras, dressed in Ghesquière’s futuristic Vuitton aesthetic. Some looked like commuters, others like luxury vacationers boarding the Orient Express, decked out in elegant outerwear and opulent layers. The result was a mix of wearable technical pieces and high-fashion statements, all rich in detail and storytelling.
Key Looks and Standout Pieces
Wearable, Technical Outerwear → Practical yet stylish, featuring subtle Vuitton branding.
A Voluminous Bordeaux Red Tulle Skirt → Paired with an ’80s-style leather belt and a pale blue LV checked ukulele case.
Black Robe with Ostrich Feathers → Dramatic and timeless.
Layered Floral Gowns → Adorned with crystals and velvet dévoré, evoking a sense of luxurious nostalgia.
Mona Tougaard’s Deep Forest Green Dress → Featuring black lace detailing, perfect for the red carpet.
Knitwear with Exaggerated Shoulders → A futuristic take on classic structured silhouettes.
Oversized Suede Hiking Jackets → Blending practicality with high fashion.
Kraftwerk x Louis Vuitton Collaboration → A special capsule collection themed “Trans-Europe Express”, featuring bags and apparel designed with the German electronic music pioneers.
An Intoxicating, Transportive Collection
With cinematic drama, luxurious craftsmanship, and a celebration of travel, Louis Vuitton Fall 2025 proved to be a masterful fusion of nostalgia, futurism, and wearable luxury. The collection wasn’t just about clothes—it was about storytelling, transforming the runway into a voyage through time and style.
Business
Vanessa Kirby Personifies Sarah Burton’s Givenchy at the Fall 2025 Show

Vanessa Kirby made a striking appearance at Sarah Burton’s highly anticipated inaugural Givenchy runway show for Fall 2025, embodying the essence of the designer’s vision. As a longtime admirer of Burton’s work, the Fantastic Four: First Steps star was eager to witness the debut collection in Paris.
“I really wanted to be here in Paris for Sarah’s first show,” Kirby expressed with enthusiasm. “Sarah has been my favorite designer for years. I absolutely love everything she does—I think she’s a master. She designs clothes truly for women—always extraordinary, feline, and structured in a way that makes you feel so empowered.”
Having collaborated with Burton throughout her tenure at Alexander McQueen, Kirby’s presence at the show was a testament to their ongoing creative synergy. Dressed in a sleek black ensemble with sharp shoulders and a plunging V-neck, Kirby’s outfit embodied Burton’s signature aesthetic: a balance of strength and femininity. “The dress we chose felt very classic—the shape felt architectural and strong, but also daytime and relaxed,” she noted.
Following the intimate runway presentation, Kirby joined an exclusive gathering of fashion and film’s elite at a celebratory dinner honoring Burton’s Givenchy debut. Among the attendees were Rooney Mara, Gwendoline Christie, Raye, Alex Consani, and Yseult, all raising a toast to the designer’s new chapter.
Reflecting on the experience, Kirby shared her admiration for the energy of Paris Fashion Week. “I associate Paris with the amazing shows that happen every year. The shows themselves feel like a real reveal—seeing what Sarah has been working on for months for her first Givenchy collection. Everyone was so excited to see her vision.”
With Burton’s Givenchy era now officially underway, Kirby’s presence at the event was a fitting tribute to the designer’s ability to craft powerful, empowering fashion for the modern woman.
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