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Know the history of recently added World Heritage Site- Hoysala Empire temples
UNESCO has recently added Hoysala Empire temples to the list of world heritage sites. It is located in the southern state of Karnataka.
In the 11th and 12th centuries in north and Central India, great temples were made in the Naga. South Indian style prevailed in magnificent temples, which are Varun being constructed in Tamilnadu in the Deccan which lay in between north and South India hill chieftains named the hoysalas varg gradually coming into power and creating a kingdom in Southern Karnataka.
Hoysala history is clear from the time of Vishnuvardhan, who ruled from 1100 and 8 to 1100, and 42 inscriptions show that the king, his wife, and his Minister were patrons of Temple Kings Vishnu Vardhan defeated the imperial cholas in 1100. This was a major landmark of his dynasty.
The Ornate style of the Temple under Hoysalas inherited a rich tradition of Temple building from the dynasties; the Chalukyas and Cholas made magnificent temples.
Hoysala King Balala, the second, added carved window screens that give the Mandapa Amor a closed feeling. Now, such screens continue the tradition of Western Chalukyan temples in the Deccan.
The exterior of the temple is more profusely sculpted than ever before in a manner that has come to be known as ornate Hoysala-style horizontal rows of carvings run around the temple in an ordered and highly organized design.
The essential ornament of temples of all the themes presented by Hoysala artist dance appears to be the most favored. We see men and women dancing with and without musical instruments almost all the
Deities are seen in dance posture celebrating beauty and possibilities of the human form, which is image as divine. The Emblem of the Hoysala dynasty depicts a man killing a lion. Which is based on the story of Salah, who was the tribal. He saved a meditating Jain son who was killing a lion about to Pounce on him.
Artists of that time must have been among the most diligent in their detailed work and most prolific in their output; it is the stylization in India Art that is mounted here with less naturalism, which was also seen before, while every fingernail is called the breath of life which animates much of Indian sculpture has given way to profuse ornamentation and ornaments which display the grandeur of the Hoysala court and Empire.
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Sarah Burton has officially redefined Givenchy. In her Fall 2025 debut at Paris Fashion Week, the former Alexander McQueen creative director brought a feminine perspective to the legendary house, embracing strength, vulnerability, and emotional intelligence. This moment felt significant—not only because of Burton’s storied past but also because so few women currently helm major luxury brands.
A Tribute to Givenchy’s Heritage
Burton’s inspiration came from Hubert de Givenchy’s 1952 debut collection, known for its clean, graphic silhouettes. A recent discovery of the maison’s archival calico patterns further fueled her vision, leading to designs that balanced wearable ease with dramatic, couture-like elements.
The show opened with a black fishnet catsuit, a bold reset before transitioning into the essence of Burton’s Givenchy—a collection that honored the past while embracing modern femininity.
Key Looks & Defining Elements
Oversized Suits with Cinched Waists → A powerful balance of structure and fluidity.
Sleeveless Dresses with Ruffled Hemlines → Adding movement and drama to everyday elegance.
Cocoon-Like Coats & Jackets → Featuring rounded, puffed-up shoulders, nodding to Givenchy’s classic volume play.
Body-Diverse Runway Casting → One of the few Paris shows this season to feature a range of body types, reinforcing Burton’s commitment to dressing real women.
A New Vision for Modern Women
Burton’s Givenchy is about more than just clothes—it’s about how women want to feel: powerful, sexy, vulnerable, and strong, all at once. Her debut collection wasn’t just a runway success—it was a statement on the future of fashion, where femininity is both celebrated and redefined.
For Fall 2025, Nicolas Ghesquière took Louis Vuitton on a journey—literally. His latest collection transported attendees to a train platform, drawing inspiration from cinematic railway moments like Casablanca, Brief Encounter, Snowpiercer, and 2046. The setting? The soon-to-reopen L’Étoile du Nord train station near Gare du Nord in Paris, reinforcing the romanticism of travel through fashion.
A Vision of Travelers Through Time
The collection imagined travelers from different eras, dressed in Ghesquière’s futuristic Vuitton aesthetic. Some looked like commuters, others like luxury vacationers boarding the Orient Express, decked out in elegant outerwear and opulent layers. The result was a mix of wearable technical pieces and high-fashion statements, all rich in detail and storytelling.
Key Looks and Standout Pieces
Wearable, Technical Outerwear → Practical yet stylish, featuring subtle Vuitton branding.
A Voluminous Bordeaux Red Tulle Skirt → Paired with an ’80s-style leather belt and a pale blue LV checked ukulele case.
Black Robe with Ostrich Feathers → Dramatic and timeless.
Layered Floral Gowns → Adorned with crystals and velvet dévoré, evoking a sense of luxurious nostalgia.
Mona Tougaard’s Deep Forest Green Dress → Featuring black lace detailing, perfect for the red carpet.
Knitwear with Exaggerated Shoulders → A futuristic take on classic structured silhouettes.
Oversized Suede Hiking Jackets → Blending practicality with high fashion.
Kraftwerk x Louis Vuitton Collaboration → A special capsule collection themed “Trans-Europe Express”, featuring bags and apparel designed with the German electronic music pioneers.
An Intoxicating, Transportive Collection
With cinematic drama, luxurious craftsmanship, and a celebration of travel, Louis Vuitton Fall 2025 proved to be a masterful fusion of nostalgia, futurism, and wearable luxury. The collection wasn’t just about clothes—it was about storytelling, transforming the runway into a voyage through time and style.
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