Featured
Captaincy is not just a position but a bunch of unwavering challenges – Flaunt Post

The word captain itself is so important that it can prompt anyone to have an opinion– either for or against it. And when the subject is related to justice, the conversations, analyses, and opinions on it can be endless.
Captaincy in the justice field is conceivably one of the most sought-after positions, which is priceless. Not that captaincy in any other sport is less important, but the decision timber and the artfulness at every step of the game make it further limelight-driven.
In the previous period, we might not have heard of relinquishing captaincy, but currently, it’s no longer a surprising element. It can still raise eyebrows, however.
Virat Kohli, relinquishing the T20 International captaincy of India after the forthcoming T20 World Cup, made captions because he’s the most followed cricketer of his generation.
Multiple formats, workload, and a shade more as a captain and growing out-field liabilities just give less time to decompress and relax.
Suzie Bates, a former New Zealand women’s platoon captain, decided to give up captaincy in 2018, just before the ICC women’s T20 World Cup in the West Indies. After being at the helm seven times, Bates felt she didn’t have the” energy the captaincy merited”.
Bates is a double transnational, having played both basketball and justice for New Zealand. Those who know about performing constantly and regularly at the loftiest position know the significance of keeping themselves in the stylish shape( physically and mentally) possible at all times.
This noble title, captaincy, comes with its own set of challenges. It’ll be inconceivable to suppose that anyone at the helm has had a smooth passage. It’s essential to keep the balance between being a player and a captain in the dressing room.
The study process for the present and unborn requirements must be in sync and respectable with the authorities. One must be a leader and a follower in the same breath. A smile with immense energy and positivity towards all in every situation is an implied verbal rule.
Decision-timber is an art, not wisdom. Hence,’ captain valorous’ should be considered a humble appreciation.
Accepting captaincy brings a plate full of openings and liabilities, always seen in a bright light. But the decision to relinquish it provokes further questions than appreciation. The decision is not easy, and hence, the one taking it should be admired and appreciated more.
Even in Indian women’s platoon where Mithali Raj captains the Test and ODI brigades while Harmanpreet Kaur leads the T20 side.
The men’s platoon will pass on the T20I cane to its coming suitable leader, who’ll take up the challenge in all readiness and positivity for taking the platoon ahead.
Business
Vanessa Kirby Personifies Sarah Burton’s Givenchy at the Fall 2025 Show

Vanessa Kirby made a striking appearance at Sarah Burton’s highly anticipated inaugural Givenchy runway show for Fall 2025, embodying the essence of the designer’s vision. As a longtime admirer of Burton’s work, the Fantastic Four: First Steps star was eager to witness the debut collection in Paris.
“I really wanted to be here in Paris for Sarah’s first show,” Kirby expressed with enthusiasm. “Sarah has been my favorite designer for years. I absolutely love everything she does—I think she’s a master. She designs clothes truly for women—always extraordinary, feline, and structured in a way that makes you feel so empowered.”
Having collaborated with Burton throughout her tenure at Alexander McQueen, Kirby’s presence at the show was a testament to their ongoing creative synergy. Dressed in a sleek black ensemble with sharp shoulders and a plunging V-neck, Kirby’s outfit embodied Burton’s signature aesthetic: a balance of strength and femininity. “The dress we chose felt very classic—the shape felt architectural and strong, but also daytime and relaxed,” she noted.
Following the intimate runway presentation, Kirby joined an exclusive gathering of fashion and film’s elite at a celebratory dinner honoring Burton’s Givenchy debut. Among the attendees were Rooney Mara, Gwendoline Christie, Raye, Alex Consani, and Yseult, all raising a toast to the designer’s new chapter.
Reflecting on the experience, Kirby shared her admiration for the energy of Paris Fashion Week. “I associate Paris with the amazing shows that happen every year. The shows themselves feel like a real reveal—seeing what Sarah has been working on for months for her first Givenchy collection. Everyone was so excited to see her vision.”
With Burton’s Givenchy era now officially underway, Kirby’s presence at the event was a fitting tribute to the designer’s ability to craft powerful, empowering fashion for the modern woman.
Entertainment
Paris Fashion Week, Day Three: Poise and Manners in Motion

The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
Business
Rabanne Fall/Winter 2025: A 1960s Beauty Revival

Rabanne’s Fall/Winter 2025 show was a glamorous throwback to 1960s Paris, with big bouffant hair and bold, smoky eyes dominating the runway. The iconic French-girl aesthetic was on full display, blending vintage inspiration with modern edge.
The Makeup: Statement Eyes & Subtle Rebellion
Rabanne Beauty’s creative director, Diane Kendal, crafted a striking yet effortless makeup look that channeled icons like Brigitte Bardot and Catherine Deneuve. Models wore slightly winged, waterline eyeliner and taupe-hued smoky eyeshadow, smudged across the lids and under the eyes for a soft but dramatic effect.
Kendal, known for pushing beauty boundaries, chose to highlight natural skin while focusing on bold eye makeup—a subtle rebellion against the typical all-over glam seen on high-fashion runways. This “done-yet-undone” style perfectly complemented Rabanne’s flamboyant fabrics, sparkles, and sequins.
Hair: The Return of the Bouffant
Fluffy, voluminous bouffants were the crowning statement of the show. The models’ teased, combed-back hair added a touch of vintage glamour, reinforcing the collection’s nostalgic yet playfully modern feel.
Rabanne’s Beauty Revolution
Rabanne Beauty continues to redefine makeup with gender-neutral, statement-making products. The runway featured some of its standout offerings, including:
Shimmer Bomb – An all-over glitter spray for an extra dose of Rabanne’s signature glitz.
Top Coat Mascara – A silver and gold formula that gave lashes a tinsel-like effect.
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