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Refusal from Delhi High Court for Death Penalty- Batla House Case- Flaunt Post

Delhi High Court on Batla House encounter know that penalty for Ariz khan. The Delhi High Court has refused to confirm that judgment passed by the trial court, so now that penalty for Ariz Khan. The court has filed the conviction of Ariz Khan under all sections that he was charged under, but the distance has not been verified; it has been converted to a life judgment. The department will go through the judgment and also will deliberate whether the department will improve the judgment to death in the Supreme Court; after going to the judgment, they will take a considered call after the court judgment conviction since this is a case of the payoff of Murder of a livery the police officer on duty this falls in the order of rare.
Given the ongoing discussion, the Judgement of conviction is UPHLED. The judgment of death assessed is still not verified. The appeal is allowed in part, ” the apex court said.
The trial court, in March 2021, set up Khan’s offense to be under the” rarest of rare” order and hence warranted the maximum judgment of capital discipline. Khan filed a plea challenging the verdict and his discipline in the high court in July 2021 through lawyers MS Khan and Qausar Khan.
Inspector Sharma, belonging to the Special Cell of the Delhi Police, was killed in action on September 19, 2008, in south Delhi’s Jamia Nagar during the hassle, which took place six days after periodical blasts ripped through the public capital, killing at least 30 people and leaving further than 100 injured. Acting on a tip-off, the police platoon, which included Sharma, had raided a flat in the Batla House position.
Khan, 37, who fled after the hassle, was pronounced a placarded lawbreaker( PO) in 2009 and was arrested on February 14, 2018. He was condemned by the trial court on March 8, 2021, and doomed to death on March 15.
Also, the trial court assessed a forfeiture of ₹ 11 lacks on Khan, directing him to” incontinently” release ₹ 10 lakhs for the departed officer’s family. Calling his offense” despicable,” the court observed that the con” has dropped his right to live.” It also called him an “ adversary of the state.
Business
Vanessa Kirby Personifies Sarah Burton’s Givenchy at the Fall 2025 Show

Vanessa Kirby made a striking appearance at Sarah Burton’s highly anticipated inaugural Givenchy runway show for Fall 2025, embodying the essence of the designer’s vision. As a longtime admirer of Burton’s work, the Fantastic Four: First Steps star was eager to witness the debut collection in Paris.
“I really wanted to be here in Paris for Sarah’s first show,” Kirby expressed with enthusiasm. “Sarah has been my favorite designer for years. I absolutely love everything she does—I think she’s a master. She designs clothes truly for women—always extraordinary, feline, and structured in a way that makes you feel so empowered.”
Having collaborated with Burton throughout her tenure at Alexander McQueen, Kirby’s presence at the show was a testament to their ongoing creative synergy. Dressed in a sleek black ensemble with sharp shoulders and a plunging V-neck, Kirby’s outfit embodied Burton’s signature aesthetic: a balance of strength and femininity. “The dress we chose felt very classic—the shape felt architectural and strong, but also daytime and relaxed,” she noted.
Following the intimate runway presentation, Kirby joined an exclusive gathering of fashion and film’s elite at a celebratory dinner honoring Burton’s Givenchy debut. Among the attendees were Rooney Mara, Gwendoline Christie, Raye, Alex Consani, and Yseult, all raising a toast to the designer’s new chapter.
Reflecting on the experience, Kirby shared her admiration for the energy of Paris Fashion Week. “I associate Paris with the amazing shows that happen every year. The shows themselves feel like a real reveal—seeing what Sarah has been working on for months for her first Givenchy collection. Everyone was so excited to see her vision.”
With Burton’s Givenchy era now officially underway, Kirby’s presence at the event was a fitting tribute to the designer’s ability to craft powerful, empowering fashion for the modern woman.
Entertainment
Paris Fashion Week, Day Three: Poise and Manners in Motion

The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
Business
Rabanne Fall/Winter 2025: A 1960s Beauty Revival

Rabanne’s Fall/Winter 2025 show was a glamorous throwback to 1960s Paris, with big bouffant hair and bold, smoky eyes dominating the runway. The iconic French-girl aesthetic was on full display, blending vintage inspiration with modern edge.
The Makeup: Statement Eyes & Subtle Rebellion
Rabanne Beauty’s creative director, Diane Kendal, crafted a striking yet effortless makeup look that channeled icons like Brigitte Bardot and Catherine Deneuve. Models wore slightly winged, waterline eyeliner and taupe-hued smoky eyeshadow, smudged across the lids and under the eyes for a soft but dramatic effect.
Kendal, known for pushing beauty boundaries, chose to highlight natural skin while focusing on bold eye makeup—a subtle rebellion against the typical all-over glam seen on high-fashion runways. This “done-yet-undone” style perfectly complemented Rabanne’s flamboyant fabrics, sparkles, and sequins.
Hair: The Return of the Bouffant
Fluffy, voluminous bouffants were the crowning statement of the show. The models’ teased, combed-back hair added a touch of vintage glamour, reinforcing the collection’s nostalgic yet playfully modern feel.
Rabanne’s Beauty Revolution
Rabanne Beauty continues to redefine makeup with gender-neutral, statement-making products. The runway featured some of its standout offerings, including:
Shimmer Bomb – An all-over glitter spray for an extra dose of Rabanne’s signature glitz.
Top Coat Mascara – A silver and gold formula that gave lashes a tinsel-like effect.
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