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Are you really embodied, or are you lacking yourself? – Flaunt Post
Being embodied means that we are in our bodies, but we can’t be 100% inside the body all the time, and the thing is, when we are dedicated, it also doesn’t mean that we are completely outside our bodies. It means that we are not present in what is happening; our feelings and our sensations are better inside the body. There are various reasons why busy becomes disembodied, and it has to do with your personal life experience, the condition in the world works, and how encourages and focuses on using logic.
Emotions are often seen as things that just get in the way, and that kind of thinking and narrative makes it hard for us to become disembodied.
The first sign of not being embodied is that you spend a lot of time thinking about things, and when you are stuck in analysis, you analyze, and it consumes all your energy and attention, and you cannot focus on the rest of the things. Your mind is constantly stuck on that particular thing, making it unable to think about other things.
The next is when you numb yourself to things like social media or television. When you don’t think much and don’t spend thinking about actually what you are seeing and listening to there, you lose yourself and your point of view and just focus on the information that is being given to you through various sources.
When you use a lot of force and push to get things done, it also leads to losing yourself because sometimes you just need to accept things and focus on others. Rather than forcing the things you are not capable of doing. So, focusing on things that can be productive for yourself and can give you high outputs can help you.
The next is when you don’t enjoy what you used to enjoy earlier. Not enjoying things is either it’s almost like there is nothing enjoyable in your life or something is bothering you, and you want to escape in your mind, and you’re trying to avoid your feelings. So avoiding feeling is not suggested. You should talk to someone and get your heart out, put all your points and views on whatever is going on in your mind constantly.
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Sarah Burton has officially redefined Givenchy. In her Fall 2025 debut at Paris Fashion Week, the former Alexander McQueen creative director brought a feminine perspective to the legendary house, embracing strength, vulnerability, and emotional intelligence. This moment felt significant—not only because of Burton’s storied past but also because so few women currently helm major luxury brands.
A Tribute to Givenchy’s Heritage
Burton’s inspiration came from Hubert de Givenchy’s 1952 debut collection, known for its clean, graphic silhouettes. A recent discovery of the maison’s archival calico patterns further fueled her vision, leading to designs that balanced wearable ease with dramatic, couture-like elements.
The show opened with a black fishnet catsuit, a bold reset before transitioning into the essence of Burton’s Givenchy—a collection that honored the past while embracing modern femininity.
Key Looks & Defining Elements
Oversized Suits with Cinched Waists → A powerful balance of structure and fluidity.
Sleeveless Dresses with Ruffled Hemlines → Adding movement and drama to everyday elegance.
Cocoon-Like Coats & Jackets → Featuring rounded, puffed-up shoulders, nodding to Givenchy’s classic volume play.
Body-Diverse Runway Casting → One of the few Paris shows this season to feature a range of body types, reinforcing Burton’s commitment to dressing real women.
A New Vision for Modern Women
Burton’s Givenchy is about more than just clothes—it’s about how women want to feel: powerful, sexy, vulnerable, and strong, all at once. Her debut collection wasn’t just a runway success—it was a statement on the future of fashion, where femininity is both celebrated and redefined.
For Fall 2025, Nicolas Ghesquière took Louis Vuitton on a journey—literally. His latest collection transported attendees to a train platform, drawing inspiration from cinematic railway moments like Casablanca, Brief Encounter, Snowpiercer, and 2046. The setting? The soon-to-reopen L’Étoile du Nord train station near Gare du Nord in Paris, reinforcing the romanticism of travel through fashion.
A Vision of Travelers Through Time
The collection imagined travelers from different eras, dressed in Ghesquière’s futuristic Vuitton aesthetic. Some looked like commuters, others like luxury vacationers boarding the Orient Express, decked out in elegant outerwear and opulent layers. The result was a mix of wearable technical pieces and high-fashion statements, all rich in detail and storytelling.
Key Looks and Standout Pieces
Wearable, Technical Outerwear → Practical yet stylish, featuring subtle Vuitton branding.
A Voluminous Bordeaux Red Tulle Skirt → Paired with an ’80s-style leather belt and a pale blue LV checked ukulele case.
Black Robe with Ostrich Feathers → Dramatic and timeless.
Layered Floral Gowns → Adorned with crystals and velvet dévoré, evoking a sense of luxurious nostalgia.
Mona Tougaard’s Deep Forest Green Dress → Featuring black lace detailing, perfect for the red carpet.
Knitwear with Exaggerated Shoulders → A futuristic take on classic structured silhouettes.
Oversized Suede Hiking Jackets → Blending practicality with high fashion.
Kraftwerk x Louis Vuitton Collaboration → A special capsule collection themed “Trans-Europe Express”, featuring bags and apparel designed with the German electronic music pioneers.
An Intoxicating, Transportive Collection
With cinematic drama, luxurious craftsmanship, and a celebration of travel, Louis Vuitton Fall 2025 proved to be a masterful fusion of nostalgia, futurism, and wearable luxury. The collection wasn’t just about clothes—it was about storytelling, transforming the runway into a voyage through time and style.
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