Entertainment
Emily Blunt and John Krasinski’s family day out at the US Open with their two children
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The US Open was a family affair for Emily Blunt and John Krasinski, who brought their two daughters, Hazel, 9, and Violet, 6, to watch the tennis matches on Friday.
The family of four was seen in the stands at Arthur Ashe Stadium in New York City, enjoying the thrilling games. Blunt, 40, was very expressive throughout the event, cheering and shouting at times.
The kids were having fun too, drinking beverages and cuddling with their parents.
Violet, who wore a blue floral print dress, sat on her dad’s lap, while Hazel, who wore a baseball cap, talked with her mom during the breaks.
The outing comes as Blunt is taking a year off from acting to focus on being a mom.
In July, the “Jungle Cruise” actress opened up about the challenges of balancing her career and motherhood on the Table For Two podcast.
“It’s one of those things when people are like, ‘How do you balance it?’ I never feel like I’m doing it right, you know,’” Blunt said.
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“But this year I’m not working. I worked quite a bit last year and my oldest baby is 9, so we’re in the last year of single digits. And I just feel there are cornerstones to their day that are so important when they’re little.”
The 40-year-old actress said she wants to be there for more of the everyday moments with her kids.
“And it’s, ‘Will you wake me up? Will you take me to school? Will you pick me up? Will you put me to bed?’ And I just need to be there for all of them for a good stretch. And I just felt that in my bones,” she said, adding that some “intense” and “time-consuming” projects last year took a toll on her family life and made her rethink her work-life balance.
“The ones that are time-consuming I think, for me, are becoming few and further between because of just the emotional cost on me, on the kids, on balance,” she continued.
While Blunt confessed to feeling “guilt” when she has to be away from her daughters for work, her husband of 13 years sees her as a supermom.
In June, Krasinski, 43, told E! News that his wife was “being the hero at home,” saying her support was essential while he was busy filming four seasons of his hit series Tom Clancy’s Jack Ryan.
“Her support through this show is what’s made it possible for me,” Krasinski said.
“Not only in the logistics of having to travel the world constantly, and being supportive, and making sure my kids didn’t abandon me when I had to go to these countries and shoot.”
As for her kids, Blunt recently joked that they are not impressed by her Hollywood career; they just see her as “Mom.”
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“When I see myself up on a billboard, I have this complete dissociation with it … I’m like, ‘Who’s that?’” she said in a cover interview for Harper’s BAZAAR UK’s July/August issue.
“And I can see my children doing the same — they might say, ‘Oh, there’s Mama,’ but it’s not exciting for them.”
“What’s exciting for them is when I can pick them up from school and take them swimming,” she added.
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Entertainment
Ryan Murphy Finds His Carolyn Bessette-Kennedy in Sarah Pidgeon for American Love Story
Ryan Murphy has finally settled on the actress to portray Carolyn Bessette-Kennedy in his highly anticipated anthology series American Love Story for FX. The role, one that demands an actress who can capture Bessette-Kennedy’s legendary poise and ’90s style, has gone to Sarah Pidgeon, known for her breakout role in The Wilds.
The series will explore the iconic romance between John F. Kennedy Jr. and Carolyn Bessette-Kennedy, and the casting of Pidgeon, as reported by Deadline, is sure to spark even more interest in this much-anticipated project. The choice of Pidgeon, celebrated for her nuanced performances, comes after much speculation about who could possibly embody the ethereal grace and mystery that made Bessette-Kennedy a style icon of the ’90s.
This marks a major milestone for Pidgeon, who will now take on what is likely the role of a lifetime, portraying one of the most talked-about figures of modern American history. As Murphy continues to craft his unique vision for this story, fans and critics alike are eager to see how Pidgeon brings Bessette-Kennedy to life on screen.
The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
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