Entertainment
Ashton Kutcher and Mila Kunis apologise for letters to judge in support of Danny Masterson
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Ashton Kutcher and Mila Kunis have apologised for character letters the couple wrote on behalf of fellow That ’70s Show actor Danny Masterson before he was sentenced for rape this week. A judge in Los Angeles on Thursday sentenced Danny to 30 years to life in prison for raping two women in 2003. (Also Read | Ashton Kutcher, Mila Kunis called Danny Masterson ‘role model, confidant’ in letters to judge ahead of rape sentencing)
In a video posted on Instagram on Sunday, Ashton and Mila said they were sorry for the pain they may have caused with the letters, which were made public on Friday.
Ashton said the letters that asked for leniency “were intended for the judge to read and not to undermine the testimony of the victims or retraumatize them in any way. We would never want to do that and we’re sorry if that has taken place”.
Ashton said Danny’s family approached them after the actor was convicted in the rapes in May and asked them to write character letters describing “the person that we knew for 25 years”. The letters were posted online by The Hollywood Reporter and other digital publications.
Danny starred with Ashton Kutcher, Mila Kunis and Topher Grace in That ’70s Show from 1998 until 2006. He had reunited with Ashton on the 2016 Netflix comedy The Ranch but was written off the show when the Los Angeles Police Department investigation was revealed the following year.
Los Angeles Superior Court Judge Charlaine F Olmedo handed down the sentence to Danny, 47, after hearing statements from the women, and pleas for fairness from defence attorneys. Ashton described Danny as a man who treated people “with decency, equality, and generosity,” he wrote in his letter dated July 27, 2023.
Mila in her letter to the judge called Danny “an outstanding role model and friend” and an “exceptional older brother figure.” Both rapes took place in Danny’s Hollywood-area home in 2003 when he was at the height of his fame on the Fox network sitcom That ’70s Show. The victims testified that Danny drugged them before violently raping them.
Mila said in the apology video that their letters did not mean to undermine the testimony of victims. “Our heart goes out to every single person who’s ever been a victim of sexual assault, sexual abuse, or rape,” she said.
Entertainment
Your Ultimate Guide to Shopping Amazon’s Big Spring Sale

If you love hunting for the perfect finds—whether it’s fashion staples, beauty must-haves, or the latest tech—Amazon’s Big Spring Sale is your chance to snag incredible deals. This seasonal shopping event, running from March 25 to March 31, offers discounts of up to 40% across multiple categories, making it the ideal time to refresh your wardrobe, skincare routine, and home essentials.
With thousands of products on sale, navigating the best deals can feel overwhelming. But don’t worry—we’ve done the research for you. From high-quality basics to trending beauty tools, we’ve handpicked the top items worth adding to your cart. Whether you’re looking to elevate your spring style or invest in game-changing skincare, this sale has something for everyone.
Stay tuned as we break down the best deals, insider shopping tips, and must-have products to make the most of Amazon’s Big Spring Sale. Happy shopping!
Entertainment
Ryan Murphy Finds His Carolyn Bessette-Kennedy in Sarah Pidgeon for American Love Story

Ryan Murphy has finally settled on the actress to portray Carolyn Bessette-Kennedy in his highly anticipated anthology series American Love Story for FX. The role, one that demands an actress who can capture Bessette-Kennedy’s legendary poise and ’90s style, has gone to Sarah Pidgeon, known for her breakout role in The Wilds.
The series will explore the iconic romance between John F. Kennedy Jr. and Carolyn Bessette-Kennedy, and the casting of Pidgeon, as reported by Deadline, is sure to spark even more interest in this much-anticipated project. The choice of Pidgeon, celebrated for her nuanced performances, comes after much speculation about who could possibly embody the ethereal grace and mystery that made Bessette-Kennedy a style icon of the ’90s.
This marks a major milestone for Pidgeon, who will now take on what is likely the role of a lifetime, portraying one of the most talked-about figures of modern American history. As Murphy continues to craft his unique vision for this story, fans and critics alike are eager to see how Pidgeon brings Bessette-Kennedy to life on screen.
Entertainment
Paris Fashion Week, Day Three: Poise and Manners in Motion

The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
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