Entertainment
The Nun II box office collection: Despite poor reviews, horror film earns $32.6 million in North America in 1st weekend

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The Nun II box office collection: Like many horrors before it, bad reviews didn’t scare off moviegoers from buying tickets for The Nun II. The sequel to the 2018 hit, released in 3,728 theaters by Warner Bros., topped the box office in its first weekend in North American theaters earning an estimated $32.6 million, the studio said Sunday. Also read: Jawan box office collection day 4: Shah Rukh Khan film earns ₹81 crore on Sunday, takes weekend total to 287 crore

The Nun II box office
AP’s Mark Kennedy wrote in his one star review that it’s “a movie that seems destined to pound a nail into this franchise’s undead coffin” and audiences gave it a C CinemaScore. But it hardly matters: Horror is perhaps the most reliably critic-proof genre, at least when it comes to opening weekend.
The Michael Graves-directed sequel starring Taissa Farmiga and Storm Reid fell far short of the debut for the first film ($53.8 million), but it’s still a solid launch. The Nun movies are part of the so-called Conjuring universe, which now has nine films, and $2.1 billion in box office, to its name. The sequel also played well internationally, picking up $52.7 million from 69 markets (Mexico being the strongest with $8.9 million) and boosting its global debut to $85.3 million.
“To have a horror universe is really powerful in terms of the revenue generating potential,” said Paul Dergarabedian, the senior media analyst for Comscore. “It’s a great bet that Warners made on the horror moviegoing experience never waning.”
And there are many more scary movies on the calendar through the fall including A Death in Venice, which opens next week, Saw X on Sept. 29 and The Exorcist: Believer on Oct. 6.
Other films in North America
The Nun II bumped Denzel Washington’s Equalizer 3 to second place in its second weekend. The Columbia Pictures release added $12.1 million, bringing its domestic grosses to $61.9 million and its worldwide earnings to $107.7 million.
Third place went to another new movie: The third installment of Nia Vardalos’s My Big Fat Greek Wedding, which arrives 21 years after the first film became a massive sleeper hit earning some $369 million against a $5 million production budget. Released by Focus Features in 3,650 theaters, the third film earned an estimated $10 million, overwhelmingly driven by female audiences (71%) who were 25 or older (83%).
Vardalos wrote, directed and stars in Greek Wedding 3, which brings back John Corbett and takes the gang to Greece. AP’s Jocelyn Noveck wrote in her review that the movie, which has gotten mostly poor marks, is “like a thrice-warmed piece of baklava.”
The Indian revenge thriller, Jawan, starring Shah Rukh Khan, opened in fourth place with $6.2 million from only 813 locations. It was released in Hindi, Tamil and Telugu. Khan, a Bollywood superstar, also led another box office sensation this year, Pathaan, which has made $130 million worldwide.
Barbie, which comes to VOD on Tuesday, dropped to No. 5 after 8 triumphant weeks with $5.9 million from 3,281 locations. The Warner Bros. film has now made $620.5 million domestically.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. The Nun II, $32.6 million.
2. The Equalizer 3, $12.1 million.
3. My Big Fat Greek Wedding 3, $10 million.
4. “Jawan, $6.2 million.
5. Barbie, $5.9 million.
6. Blue Beetle, $3.8 million.
7. Gran Turismo: Based on a True Story, $3.4 million.
8. Oppenheimer, $3 million.
9. Teenage Mutant Ninja Turtles: Mutant Mayhem, $2.6 million.
10. Bottoms, $2.1 million.The
Entertainment
Paris Fashion Week, Day Three: Poise and Manners in Motion

The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
Entertainment
Raye on Her Fashion Evolution and Getting Back in the Studio

British singer-songwriter Raye is not only making waves in the music industry but also solidifying her place in the fashion world. As the face of Stella McCartney’s summer 2025 campaign, she reflects on her style evolution, her love for Hollywood glamour, and the importance of comfort when creating music.
From a Stella Jacket to a Fashion Campaign
Raye’s connection to Stella McCartney goes back nearly a decade when, at 18, she got her hands on a faux leather jacket from the designer. “I was obsessed and wore it everywhere,” she recalls. Now, she is part of McCartney’s latest campaign, shot by Ethan James Green, alongside Myha’la, Alex Consani, and Eva Mendes. The campaign, themed “Save What You Love,” features AI-generated birds as a call to protect endangered avian species.
Glamour on Stage, Comfort in the Studio
While Raye stuns in vintage-inspired gowns onstage, channeling icons like Diana Ross, Ella Fitzgerald, and Nina Simone, her studio look is far more relaxed. “Comfort is everything,” she says, opting for jeans and a rotation of music industry t-shirts from shows like Tiny Desk, SNL, and Jimmy Fallon.
Her transformation into a style icon was shaped by her first bob haircut nearly five years ago. “It pushed me to feel more confident and excited about fashion,” she shares. Whether she’s performing in elegant gowns or recording in a Stella leather jacket and denim, Raye proves that fashion is just another way she tells her story.
With her fashion presence growing and her music career soaring, Raye continues to embrace both glamour and authenticity—on stage, in the studio, and beyond.
Entertainment
Halle Berry Styles a Flirty Naked Dress With a Sharp Blazer for an NY Date NightA fan of mixing business and pleasure

Halle Berry, the ever-glamorous actress and style icon, proved once again that she knows how to turn heads. On a chilly Tuesday night in New York City, Berry braved the freezing temperatures in an outfit that effortlessly blended sultry elegance with sharp sophistication.
Stepping out for a romantic dinner with her boyfriend, musician Van Hunt, the Never Let Go star made a bold statement in a black sheer midi dress. The daring piece featured a silky cupped bra with delicate spaghetti straps and intricate floral lace detailing at the bottom. Underneath, Berry kept things minimal, wearing only a sleek black thong, embracing the “naked dress” trend with confidence.
To add a touch of structure to her risqué ensemble, Berry layered on a black-and-white pinstripe blazer, fastening a single button to let just enough of her lingerie-inspired look peek through. She completed the monochromatic outfit with a pair of glossy black Christian Louboutin pumps featuring signature red soles.
Her accessories were equally striking—Berry opted for a gold chain necklace that cascaded down her chest, matching gold hoop earrings, and a chunky single-stone ring. She styled her hair in a chic wavy bob and kept her makeup subtle, enhancing her eyes with a soft shimmer.
Meanwhile, Van Hunt embraced a completely different vibe, channeling casual comfort with a funky twist. The singer-songwriter stepped out in a cozy blue-and-gray plaid onesie, featuring a hood and a zippered front. He paired it with sleek black heeled boots, adding an unexpected contrast to Berry’s high-fashion look.
The couple’s opposites-attract aesthetic only added to their charm, showcasing their individuality while proving that love and style don’t always have to match. Whether in daring couture or laid-back loungewear, Halle Berry and Van Hunt continue to make a statement—together.
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