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The Nun II box office collection: Despite poor reviews, horror film earns $32.6 million in North America in 1st weekend

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The Nun II box office collection: Like many horrors before it, bad reviews didn’t scare off moviegoers from buying tickets for The Nun II. The sequel to the 2018 hit, released in 3,728 theaters by Warner Bros., topped the box office in its first weekend in North American theaters earning an estimated $32.6 million, the studio said Sunday. Also read: Jawan box office collection day 4: Shah Rukh Khan film earns 81 crore on Sunday, takes weekend total to 287 crore

The Nun stars Taissa Farmiga and Storm Reid.
The Nun stars Taissa Farmiga and Storm Reid.

The Nun II box office

AP’s Mark Kennedy wrote in his one star review that it’s “a movie that seems destined to pound a nail into this franchise’s undead coffin” and audiences gave it a C CinemaScore. But it hardly matters: Horror is perhaps the most reliably critic-proof genre, at least when it comes to opening weekend.

The Michael Graves-directed sequel starring Taissa Farmiga and Storm Reid fell far short of the debut for the first film ($53.8 million), but it’s still a solid launch. The Nun movies are part of the so-called Conjuring universe, which now has nine films, and $2.1 billion in box office, to its name. The sequel also played well internationally, picking up $52.7 million from 69 markets (Mexico being the strongest with $8.9 million) and boosting its global debut to $85.3 million.

“To have a horror universe is really powerful in terms of the revenue generating potential,” said Paul Dergarabedian, the senior media analyst for Comscore. “It’s a great bet that Warners made on the horror moviegoing experience never waning.”

And there are many more scary movies on the calendar through the fall including A Death in Venice, which opens next week, Saw X on Sept. 29 and The Exorcist: Believer on Oct. 6.

Other films in North America

The Nun II bumped Denzel Washington’s Equalizer 3 to second place in its second weekend. The Columbia Pictures release added $12.1 million, bringing its domestic grosses to $61.9 million and its worldwide earnings to $107.7 million.

Third place went to another new movie: The third installment of Nia Vardalos’s My Big Fat Greek Wedding, which arrives 21 years after the first film became a massive sleeper hit earning some $369 million against a $5 million production budget. Released by Focus Features in 3,650 theaters, the third film earned an estimated $10 million, overwhelmingly driven by female audiences (71%) who were 25 or older (83%).

Vardalos wrote, directed and stars in Greek Wedding 3, which brings back John Corbett and takes the gang to Greece. AP’s Jocelyn Noveck wrote in her review that the movie, which has gotten mostly poor marks, is “like a thrice-warmed piece of baklava.”

The Indian revenge thriller, Jawan, starring Shah Rukh Khan, opened in fourth place with $6.2 million from only 813 locations. It was released in Hindi, Tamil and Telugu. Khan, a Bollywood superstar, also led another box office sensation this year, Pathaan, which has made $130 million worldwide.

Barbie, which comes to VOD on Tuesday, dropped to No. 5 after 8 triumphant weeks with $5.9 million from 3,281 locations. The Warner Bros. film has now made $620.5 million domestically.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. The Nun II, $32.6 million.

2. The Equalizer 3, $12.1 million.

3. My Big Fat Greek Wedding 3, $10 million.

4. “Jawan, $6.2 million.

5. Barbie, $5.9 million.

6. Blue Beetle, $3.8 million.

7. Gran Turismo: Based on a True Story, $3.4 million.

8. Oppenheimer, $3 million.

9. Teenage Mutant Ninja Turtles: Mutant Mayhem, $2.6 million.

10. Bottoms, $2.1 million.The

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Your Ultimate Guide to Shopping Amazon’s Big Spring Sale

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If you love hunting for the perfect finds—whether it’s fashion staples, beauty must-haves, or the latest tech—Amazon’s Big Spring Sale is your chance to snag incredible deals. This seasonal shopping event, running from March 25 to March 31, offers discounts of up to 40% across multiple categories, making it the ideal time to refresh your wardrobe, skincare routine, and home essentials.

With thousands of products on sale, navigating the best deals can feel overwhelming. But don’t worry—we’ve done the research for you. From high-quality basics to trending beauty tools, we’ve handpicked the top items worth adding to your cart. Whether you’re looking to elevate your spring style or invest in game-changing skincare, this sale has something for everyone.

Stay tuned as we break down the best deals, insider shopping tips, and must-have products to make the most of Amazon’s Big Spring Sale. Happy shopping!

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Ryan Murphy Finds His Carolyn Bessette-Kennedy in Sarah Pidgeon for American Love Story

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Ryan Murphy has finally settled on the actress to portray Carolyn Bessette-Kennedy in his highly anticipated anthology series American Love Story for FX. The role, one that demands an actress who can capture Bessette-Kennedy’s legendary poise and ’90s style, has gone to Sarah Pidgeon, known for her breakout role in The Wilds.

The series will explore the iconic romance between John F. Kennedy Jr. and Carolyn Bessette-Kennedy, and the casting of Pidgeon, as reported by Deadline, is sure to spark even more interest in this much-anticipated project. The choice of Pidgeon, celebrated for her nuanced performances, comes after much speculation about who could possibly embody the ethereal grace and mystery that made Bessette-Kennedy a style icon of the ’90s.

This marks a major milestone for Pidgeon, who will now take on what is likely the role of a lifetime, portraying one of the most talked-about figures of modern American history. As Murphy continues to craft his unique vision for this story, fans and critics alike are eager to see how Pidgeon brings Bessette-Kennedy to life on screen.

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Paris Fashion Week, Day Three: Poise and Manners in Motion

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The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.

Tom Ford: Seductive Refinement

At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.

Dries Van Noten: The Art of Subtle Motion

Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.

Courrèges: A Futuristic Take on Gesture

At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.

Final Thoughts: Fashion as a Language of Movement

Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.

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