Featured
Chandrababu Naidu’s Anticipatory Bail Denied: Section 17A Controversy Grips Legal Battle – Flaunt Post

The former chief minister of Andhra Pradesh and president of the Telugu Desam Party (TDP), N Chandrababu Naidu, is currently involved in a legal account that has the interest of the entire country. His three anticipatory bail pleas were recently denied by the Andhra Pradesh High Court, which is a significant move in a case that has garnered media attention ever since his arrest on September 9, 2023.
When Naidu served as chief minister from 2014 to 2019, a skill development programme was at the centre of the accusations against him. He is charged with participating in fraudulent acts connected to this programme, which resulted in his arrest. But as three more cases surfaced, including those associated with the Fibernet programme, the Amaravati Inner Ring Road project, and violent episodes in Angallu, the legal chaos grew worse.
In these new cases, Naidu’s defence strategy had mainly relied on asking for anticipatory bail, but the Andhra Pradesh High Court’s denial of these petitions struck a blow to his attempts. In connection with the skill development case, an Anti-Corruption Bureau (ACB) court dismissed his request for release and denied a request from the Criminal Investigation Department (CID) for his detention so that he may be questioned further.
The legal team representing Naidu also used the Supreme Court as a battleground, raising issues with how Section 17A of the Prevention of Corruption Act of 1988 should be interpreted. This clause, which was added by an amendment in 2018, requires getting prior approval from the appropriate authorities before opening an inquiry into a public employee.
Naidu’s objection was based on the claim that the Governor’s approval was not obtained before the Andhra Pradesh Crime Investigation Department named him as the 37th accused in the skill development fraud case. Senior counsel Harish Salve and his legal team argued that Section 17A was intended to stop instances of “regime revenge.” It was complicated to determine whether Section 17A applied to offences committed before the 2018 amendment and whether it could be used when the FIR involved offences that violated both the Prevention of Corruption Act and the Indian Penal Code. This was the subject of a hearing before the Supreme Court, which was presided over by Justices Aniruddha Bose and Bela M Trivedi.
Salve and other well-known lawyers claimed that Section 17A should be applied retroactively, highlighting the fact that the investigation into Naidu started in 2021. This viewpoint was in sharp contrast to the State’s claim that the investigation had started earlier than 2018. The state government was commanded to supply the high court with copies of all pertinent papers as soon as the hearing was ended. Salve forcefully claimed, citing the Standard Operating Procedure released by the Government of India on the application of Section 17A, that approval from the Governor should have been requested before adding Naidu as an accused. He emphasised that the Act’s interpretation should be guided by its main goal of fighting corruption.
Salve further argued that while the lawsuit focused mostly on various businesses accused of misuse of public funds, it did not directly charge the former Andhra Pradesh CM. Salve did not ask for the case to be referred back to the High Court despite the State’s efforts to show that the investigation had started before the 2018 amendment, as the High Court had earlier determined that the timing of the offence was the key criterion for Section 17A’s application.
The entire legal dispute revolves around allegations of theft of approximately Rs 371 crore from the Andhra Pradesh Skill Development Corporation during Naidu’s tenure as Chief Minister. His detention and the ensuing legal fighting received a lot of media attention, which sparked discussions about legal nuances and the role of public workers in corruption cases. The case continues to be a topic of discussion as it relates to political accountability, legal complexities, and the use of Section 17A in cases of corruption. As the courts attempt to answer these difficult legal issues, Naidu’s future now hangs in the balance, making this case a matter to closely follow.
Business
Vanessa Kirby Personifies Sarah Burton’s Givenchy at the Fall 2025 Show

Vanessa Kirby made a striking appearance at Sarah Burton’s highly anticipated inaugural Givenchy runway show for Fall 2025, embodying the essence of the designer’s vision. As a longtime admirer of Burton’s work, the Fantastic Four: First Steps star was eager to witness the debut collection in Paris.
“I really wanted to be here in Paris for Sarah’s first show,” Kirby expressed with enthusiasm. “Sarah has been my favorite designer for years. I absolutely love everything she does—I think she’s a master. She designs clothes truly for women—always extraordinary, feline, and structured in a way that makes you feel so empowered.”
Having collaborated with Burton throughout her tenure at Alexander McQueen, Kirby’s presence at the show was a testament to their ongoing creative synergy. Dressed in a sleek black ensemble with sharp shoulders and a plunging V-neck, Kirby’s outfit embodied Burton’s signature aesthetic: a balance of strength and femininity. “The dress we chose felt very classic—the shape felt architectural and strong, but also daytime and relaxed,” she noted.
Following the intimate runway presentation, Kirby joined an exclusive gathering of fashion and film’s elite at a celebratory dinner honoring Burton’s Givenchy debut. Among the attendees were Rooney Mara, Gwendoline Christie, Raye, Alex Consani, and Yseult, all raising a toast to the designer’s new chapter.
Reflecting on the experience, Kirby shared her admiration for the energy of Paris Fashion Week. “I associate Paris with the amazing shows that happen every year. The shows themselves feel like a real reveal—seeing what Sarah has been working on for months for her first Givenchy collection. Everyone was so excited to see her vision.”
With Burton’s Givenchy era now officially underway, Kirby’s presence at the event was a fitting tribute to the designer’s ability to craft powerful, empowering fashion for the modern woman.
Entertainment
Paris Fashion Week, Day Three: Poise and Manners in Motion

The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.
Tom Ford: Seductive Refinement
At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.
Dries Van Noten: The Art of Subtle Motion
Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.
Courrèges: A Futuristic Take on Gesture
At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.
Final Thoughts: Fashion as a Language of Movement
Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.
Business
Rabanne Fall/Winter 2025: A 1960s Beauty Revival

Rabanne’s Fall/Winter 2025 show was a glamorous throwback to 1960s Paris, with big bouffant hair and bold, smoky eyes dominating the runway. The iconic French-girl aesthetic was on full display, blending vintage inspiration with modern edge.
The Makeup: Statement Eyes & Subtle Rebellion
Rabanne Beauty’s creative director, Diane Kendal, crafted a striking yet effortless makeup look that channeled icons like Brigitte Bardot and Catherine Deneuve. Models wore slightly winged, waterline eyeliner and taupe-hued smoky eyeshadow, smudged across the lids and under the eyes for a soft but dramatic effect.
Kendal, known for pushing beauty boundaries, chose to highlight natural skin while focusing on bold eye makeup—a subtle rebellion against the typical all-over glam seen on high-fashion runways. This “done-yet-undone” style perfectly complemented Rabanne’s flamboyant fabrics, sparkles, and sequins.
Hair: The Return of the Bouffant
Fluffy, voluminous bouffants were the crowning statement of the show. The models’ teased, combed-back hair added a touch of vintage glamour, reinforcing the collection’s nostalgic yet playfully modern feel.
Rabanne’s Beauty Revolution
Rabanne Beauty continues to redefine makeup with gender-neutral, statement-making products. The runway featured some of its standout offerings, including:
Shimmer Bomb – An all-over glitter spray for an extra dose of Rabanne’s signature glitz.
Top Coat Mascara – A silver and gold formula that gave lashes a tinsel-like effect.
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