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Chandrababu Naidu’s Anticipatory Bail Denied: Section 17A Controversy Grips Legal Battle – Flaunt Post
The former chief minister of Andhra Pradesh and president of the Telugu Desam Party (TDP), N Chandrababu Naidu, is currently involved in a legal account that has the interest of the entire country. His three anticipatory bail pleas were recently denied by the Andhra Pradesh High Court, which is a significant move in a case that has garnered media attention ever since his arrest on September 9, 2023.
When Naidu served as chief minister from 2014 to 2019, a skill development programme was at the centre of the accusations against him. He is charged with participating in fraudulent acts connected to this programme, which resulted in his arrest. But as three more cases surfaced, including those associated with the Fibernet programme, the Amaravati Inner Ring Road project, and violent episodes in Angallu, the legal chaos grew worse.
In these new cases, Naidu’s defence strategy had mainly relied on asking for anticipatory bail, but the Andhra Pradesh High Court’s denial of these petitions struck a blow to his attempts. In connection with the skill development case, an Anti-Corruption Bureau (ACB) court dismissed his request for release and denied a request from the Criminal Investigation Department (CID) for his detention so that he may be questioned further.
The legal team representing Naidu also used the Supreme Court as a battleground, raising issues with how Section 17A of the Prevention of Corruption Act of 1988 should be interpreted. This clause, which was added by an amendment in 2018, requires getting prior approval from the appropriate authorities before opening an inquiry into a public employee.
Naidu’s objection was based on the claim that the Governor’s approval was not obtained before the Andhra Pradesh Crime Investigation Department named him as the 37th accused in the skill development fraud case. Senior counsel Harish Salve and his legal team argued that Section 17A was intended to stop instances of “regime revenge.” It was complicated to determine whether Section 17A applied to offences committed before the 2018 amendment and whether it could be used when the FIR involved offences that violated both the Prevention of Corruption Act and the Indian Penal Code. This was the subject of a hearing before the Supreme Court, which was presided over by Justices Aniruddha Bose and Bela M Trivedi.
Salve and other well-known lawyers claimed that Section 17A should be applied retroactively, highlighting the fact that the investigation into Naidu started in 2021. This viewpoint was in sharp contrast to the State’s claim that the investigation had started earlier than 2018. The state government was commanded to supply the high court with copies of all pertinent papers as soon as the hearing was ended. Salve forcefully claimed, citing the Standard Operating Procedure released by the Government of India on the application of Section 17A, that approval from the Governor should have been requested before adding Naidu as an accused. He emphasised that the Act’s interpretation should be guided by its main goal of fighting corruption.
Salve further argued that while the lawsuit focused mostly on various businesses accused of misuse of public funds, it did not directly charge the former Andhra Pradesh CM. Salve did not ask for the case to be referred back to the High Court despite the State’s efforts to show that the investigation had started before the 2018 amendment, as the High Court had earlier determined that the timing of the offence was the key criterion for Section 17A’s application.
The entire legal dispute revolves around allegations of theft of approximately Rs 371 crore from the Andhra Pradesh Skill Development Corporation during Naidu’s tenure as Chief Minister. His detention and the ensuing legal fighting received a lot of media attention, which sparked discussions about legal nuances and the role of public workers in corruption cases. The case continues to be a topic of discussion as it relates to political accountability, legal complexities, and the use of Section 17A in cases of corruption. As the courts attempt to answer these difficult legal issues, Naidu’s future now hangs in the balance, making this case a matter to closely follow.
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Sarah Burton has officially redefined Givenchy. In her Fall 2025 debut at Paris Fashion Week, the former Alexander McQueen creative director brought a feminine perspective to the legendary house, embracing strength, vulnerability, and emotional intelligence. This moment felt significant—not only because of Burton’s storied past but also because so few women currently helm major luxury brands.
A Tribute to Givenchy’s Heritage
Burton’s inspiration came from Hubert de Givenchy’s 1952 debut collection, known for its clean, graphic silhouettes. A recent discovery of the maison’s archival calico patterns further fueled her vision, leading to designs that balanced wearable ease with dramatic, couture-like elements.
The show opened with a black fishnet catsuit, a bold reset before transitioning into the essence of Burton’s Givenchy—a collection that honored the past while embracing modern femininity.
Key Looks & Defining Elements
Oversized Suits with Cinched Waists → A powerful balance of structure and fluidity.
Sleeveless Dresses with Ruffled Hemlines → Adding movement and drama to everyday elegance.
Cocoon-Like Coats & Jackets → Featuring rounded, puffed-up shoulders, nodding to Givenchy’s classic volume play.
Body-Diverse Runway Casting → One of the few Paris shows this season to feature a range of body types, reinforcing Burton’s commitment to dressing real women.
A New Vision for Modern Women
Burton’s Givenchy is about more than just clothes—it’s about how women want to feel: powerful, sexy, vulnerable, and strong, all at once. Her debut collection wasn’t just a runway success—it was a statement on the future of fashion, where femininity is both celebrated and redefined.
For Fall 2025, Nicolas Ghesquière took Louis Vuitton on a journey—literally. His latest collection transported attendees to a train platform, drawing inspiration from cinematic railway moments like Casablanca, Brief Encounter, Snowpiercer, and 2046. The setting? The soon-to-reopen L’Étoile du Nord train station near Gare du Nord in Paris, reinforcing the romanticism of travel through fashion.
A Vision of Travelers Through Time
The collection imagined travelers from different eras, dressed in Ghesquière’s futuristic Vuitton aesthetic. Some looked like commuters, others like luxury vacationers boarding the Orient Express, decked out in elegant outerwear and opulent layers. The result was a mix of wearable technical pieces and high-fashion statements, all rich in detail and storytelling.
Key Looks and Standout Pieces
Wearable, Technical Outerwear → Practical yet stylish, featuring subtle Vuitton branding.
A Voluminous Bordeaux Red Tulle Skirt → Paired with an ’80s-style leather belt and a pale blue LV checked ukulele case.
Black Robe with Ostrich Feathers → Dramatic and timeless.
Layered Floral Gowns → Adorned with crystals and velvet dévoré, evoking a sense of luxurious nostalgia.
Mona Tougaard’s Deep Forest Green Dress → Featuring black lace detailing, perfect for the red carpet.
Knitwear with Exaggerated Shoulders → A futuristic take on classic structured silhouettes.
Oversized Suede Hiking Jackets → Blending practicality with high fashion.
Kraftwerk x Louis Vuitton Collaboration → A special capsule collection themed “Trans-Europe Express”, featuring bags and apparel designed with the German electronic music pioneers.
An Intoxicating, Transportive Collection
With cinematic drama, luxurious craftsmanship, and a celebration of travel, Louis Vuitton Fall 2025 proved to be a masterful fusion of nostalgia, futurism, and wearable luxury. The collection wasn’t just about clothes—it was about storytelling, transforming the runway into a voyage through time and style.
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