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Manipur Case: Government’s petition
India Women’s Press Corps has strongly condemned the FIR against the president of the Editors Guild of India.
The three members of a fact-finding team statement comes just a day after the chief minister of Manipur Biryan Singh held off press conference on the issue alleging that the press body filed the fabricated report in its statement the IWPC said, that the editor gild had already rectified the caption which was erroneous and apologized for it.
The statement that points out the FIR includes section 66a of the IT Act which was declared unconstitutional by the Supreme Court 8 years ago. The IWPC asked the Manipur government to quash the charges immediately well there is a fresh controversy brought in Manipur in the aftermath of violence in the northeastern state, which was registered against four members of the editor’s Gild of India including the president, following which there was a press conference held by the Manipur chief minister.
Who said that was efforts being made by the editor gild to try and Science that has been condemned by the IWPC in a statement where they have demanded NB rising to quash the FIR with immediate effect.
They have taken offense to the statement made by the Manipur chief minister who says that there was an effort being made by the editor Gild of India to fan sentiment and create fresh clashes, editor against India. They are hard sign-in teams to visit this state to see that reality, meet some people and report on that job. Meeting some people and coming to confusion is a disservice. He said during the Press Conference that that’s the reason why the state government has filed an FIR against a member of agriculture of India.
Now after the controversies were bonded this is that there is an error in the recorder has decided to find a fresh report President of India asked if I should be withdrawn by the State Government because this is the case of shooting the machine section of 66a of Information Act that has been shut down by the Supreme Court, has also been involved in the AFI that has been resisted not absolutely a redundant clause from the 66a has been leveled over here.
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Sarah Burton has officially redefined Givenchy. In her Fall 2025 debut at Paris Fashion Week, the former Alexander McQueen creative director brought a feminine perspective to the legendary house, embracing strength, vulnerability, and emotional intelligence. This moment felt significant—not only because of Burton’s storied past but also because so few women currently helm major luxury brands.
A Tribute to Givenchy’s Heritage
Burton’s inspiration came from Hubert de Givenchy’s 1952 debut collection, known for its clean, graphic silhouettes. A recent discovery of the maison’s archival calico patterns further fueled her vision, leading to designs that balanced wearable ease with dramatic, couture-like elements.
The show opened with a black fishnet catsuit, a bold reset before transitioning into the essence of Burton’s Givenchy—a collection that honored the past while embracing modern femininity.
Key Looks & Defining Elements
Oversized Suits with Cinched Waists → A powerful balance of structure and fluidity.
Sleeveless Dresses with Ruffled Hemlines → Adding movement and drama to everyday elegance.
Cocoon-Like Coats & Jackets → Featuring rounded, puffed-up shoulders, nodding to Givenchy’s classic volume play.
Body-Diverse Runway Casting → One of the few Paris shows this season to feature a range of body types, reinforcing Burton’s commitment to dressing real women.
A New Vision for Modern Women
Burton’s Givenchy is about more than just clothes—it’s about how women want to feel: powerful, sexy, vulnerable, and strong, all at once. Her debut collection wasn’t just a runway success—it was a statement on the future of fashion, where femininity is both celebrated and redefined.
For Fall 2025, Nicolas Ghesquière took Louis Vuitton on a journey—literally. His latest collection transported attendees to a train platform, drawing inspiration from cinematic railway moments like Casablanca, Brief Encounter, Snowpiercer, and 2046. The setting? The soon-to-reopen L’Étoile du Nord train station near Gare du Nord in Paris, reinforcing the romanticism of travel through fashion.
A Vision of Travelers Through Time
The collection imagined travelers from different eras, dressed in Ghesquière’s futuristic Vuitton aesthetic. Some looked like commuters, others like luxury vacationers boarding the Orient Express, decked out in elegant outerwear and opulent layers. The result was a mix of wearable technical pieces and high-fashion statements, all rich in detail and storytelling.
Key Looks and Standout Pieces
Wearable, Technical Outerwear → Practical yet stylish, featuring subtle Vuitton branding.
A Voluminous Bordeaux Red Tulle Skirt → Paired with an ’80s-style leather belt and a pale blue LV checked ukulele case.
Black Robe with Ostrich Feathers → Dramatic and timeless.
Layered Floral Gowns → Adorned with crystals and velvet dévoré, evoking a sense of luxurious nostalgia.
Mona Tougaard’s Deep Forest Green Dress → Featuring black lace detailing, perfect for the red carpet.
Knitwear with Exaggerated Shoulders → A futuristic take on classic structured silhouettes.
Oversized Suede Hiking Jackets → Blending practicality with high fashion.
Kraftwerk x Louis Vuitton Collaboration → A special capsule collection themed “Trans-Europe Express”, featuring bags and apparel designed with the German electronic music pioneers.
An Intoxicating, Transportive Collection
With cinematic drama, luxurious craftsmanship, and a celebration of travel, Louis Vuitton Fall 2025 proved to be a masterful fusion of nostalgia, futurism, and wearable luxury. The collection wasn’t just about clothes—it was about storytelling, transforming the runway into a voyage through time and style.
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