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A man tried to bomb Chennai Raj Bhawan – Flaunt Post
Very shocking news has come from Tamilnadu, where the Chennai police have detained a man who attempted to throw a petrol bomb outside Raj Bhavan.
This man had also earlier attempted the same outside the BJP office in the City.
The particular person, who the police have identified to be the VOD, had attempted to throw a petrol pump outside the Raj Bhavan at Gindi in Chennai. The police stopped him, and he was very likely to be arrested, and police are continuously investigating him.
But police also confirm that a few months ago, this man had also attempted to hit a country bomb outside the BJP office in another part of Chennai. Police suspect he is mentally disturbed or facing mental health issues, and they plan to book him.
They also plan to send him for an examination of mental health. This particular incident, in one sense, comes in the backdrop of the Tamilnadu Governor files Tamilnadu Government Director General of Police Sindra Babu of Tamilnadu Public Service Commission for the second time the Governor had a return that file raising issues of transparency and violation of the direction by the supreme court in appointments of such stature.
The government had denied it and had said the government does not have any prerogative in issues like this. He has to bide at the Recommendation of the state council of the minister. Over the last year at least, there have been such a similar deal between the Raj Bhavan and the Tamilnadu NAD government, beginning from the Governor skipping the portion of official speech in the Tamad assembly suggesting name change of Tamil NAD to tamilagam and also alleging very recently that Tamad government tried to have many freedom fighters from the state and reducing them to state caste leader, which Tamil Nadu Government and ruling DMK has denied saying that governor.
In a sense, he acts like an agent of the RSS and BJP rather than abiding by the constitution. They have also reiterated the Ghana governor, as directed by the supreme court in several cases, ought to abide by the advice of the council of ministers, and he cannot have a parallel government, as they call it, in the state.
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Sarah Burton has officially redefined Givenchy. In her Fall 2025 debut at Paris Fashion Week, the former Alexander McQueen creative director brought a feminine perspective to the legendary house, embracing strength, vulnerability, and emotional intelligence. This moment felt significant—not only because of Burton’s storied past but also because so few women currently helm major luxury brands.
A Tribute to Givenchy’s Heritage
Burton’s inspiration came from Hubert de Givenchy’s 1952 debut collection, known for its clean, graphic silhouettes. A recent discovery of the maison’s archival calico patterns further fueled her vision, leading to designs that balanced wearable ease with dramatic, couture-like elements.
The show opened with a black fishnet catsuit, a bold reset before transitioning into the essence of Burton’s Givenchy—a collection that honored the past while embracing modern femininity.
Key Looks & Defining Elements
Oversized Suits with Cinched Waists → A powerful balance of structure and fluidity.
Sleeveless Dresses with Ruffled Hemlines → Adding movement and drama to everyday elegance.
Cocoon-Like Coats & Jackets → Featuring rounded, puffed-up shoulders, nodding to Givenchy’s classic volume play.
Body-Diverse Runway Casting → One of the few Paris shows this season to feature a range of body types, reinforcing Burton’s commitment to dressing real women.
A New Vision for Modern Women
Burton’s Givenchy is about more than just clothes—it’s about how women want to feel: powerful, sexy, vulnerable, and strong, all at once. Her debut collection wasn’t just a runway success—it was a statement on the future of fashion, where femininity is both celebrated and redefined.
For Fall 2025, Nicolas Ghesquière took Louis Vuitton on a journey—literally. His latest collection transported attendees to a train platform, drawing inspiration from cinematic railway moments like Casablanca, Brief Encounter, Snowpiercer, and 2046. The setting? The soon-to-reopen L’Étoile du Nord train station near Gare du Nord in Paris, reinforcing the romanticism of travel through fashion.
A Vision of Travelers Through Time
The collection imagined travelers from different eras, dressed in Ghesquière’s futuristic Vuitton aesthetic. Some looked like commuters, others like luxury vacationers boarding the Orient Express, decked out in elegant outerwear and opulent layers. The result was a mix of wearable technical pieces and high-fashion statements, all rich in detail and storytelling.
Key Looks and Standout Pieces
Wearable, Technical Outerwear → Practical yet stylish, featuring subtle Vuitton branding.
A Voluminous Bordeaux Red Tulle Skirt → Paired with an ’80s-style leather belt and a pale blue LV checked ukulele case.
Black Robe with Ostrich Feathers → Dramatic and timeless.
Layered Floral Gowns → Adorned with crystals and velvet dévoré, evoking a sense of luxurious nostalgia.
Mona Tougaard’s Deep Forest Green Dress → Featuring black lace detailing, perfect for the red carpet.
Knitwear with Exaggerated Shoulders → A futuristic take on classic structured silhouettes.
Oversized Suede Hiking Jackets → Blending practicality with high fashion.
Kraftwerk x Louis Vuitton Collaboration → A special capsule collection themed “Trans-Europe Express”, featuring bags and apparel designed with the German electronic music pioneers.
An Intoxicating, Transportive Collection
With cinematic drama, luxurious craftsmanship, and a celebration of travel, Louis Vuitton Fall 2025 proved to be a masterful fusion of nostalgia, futurism, and wearable luxury. The collection wasn’t just about clothes—it was about storytelling, transforming the runway into a voyage through time and style.
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