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Emma Stone to Sandra Hüller: Decoding the Best Actress frontrunners for the Oscars

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The big three film festivals- Berlin, Cannes and Venice, are over. Cue to the crucial fall film festivals- Telluride and Toronto, which are still ongoing. These are but essential in providing a road map to the Oscars next year, and if there’s one category that is stacked it is the Best Actress in a Leading Role. (Also read: Poor Things to Maestro: 10 films premiering at the 2023 Venice Film Festival that we can’t wait to watch)

Emma Stone, Sandra Hüller and Margot Robbie are in the running for the Best Actress Oscar race this year.
Emma Stone, Sandra Hüller and Margot Robbie are in the running for the Best Actress Oscar race this year.

Fresh out of Venice

Venice Film Festival provides a sure-shot lead when it comes to the category, given how the Volpi Cup for Best Actress award chosen by the festival often translates into an Oscar nomination. The streak is unbeatable at this point- four of the past winners in the past five years of the festival have gone on to secure an Oscar nomination, with one winning. The list includes Olivia Colman for The Favourite (2018), Vanessa Kirby for Pieces of a Woman (2020), Penélope Cruz for Parallel Mothers (2021) and Cate Blanchett for Tár (2022).

This should leave the most recent winner in the category, Cailee Spaeny for Sofia Coppola’s Priscilla beaming with joy. Cailee has never been nominated before, and the Academy loves honouring a newcomer in an author-backed biopic. Given how Priscilla reconstructs the narrative introduced by Baz Luhrmann’s Elvis, that got star Austin Butler a Best Actor nomination, Priscilla could bode very well with the Academy members.

The other big showdown that burst out of Venice was Yorgos Lanthimos’ Poor Things. Critics showered raved reviews upon its premiere calling it the best film the Greek filmmaker has ever made, boasting a career-best turn for star Emma Stone. Although the Oscar winning actor, who had already won the Volpi Cup for Best Actress for La La Land a few years ago, didn’t receive it this time around, her film took home the highest honour at the festival- the Golden Lion for Best Film. Her fourth Oscar nomination is now locked. A second Oscar win? Only time will tell.

A lot of buzz for Sandra Hüller

Interestingly, Stone’s trajectory is quite similar to another film festival breakout- German actor Sandra Hüller for Anatomy of a Fall and The Zone of Interest, both of which triumphed at Cannes Film Festival. The 45 year-old starred in two of the strongest competition titles at Cannes, where many predicted her to win the Best Actress award. Yet, her films took precedence over her acclaimed turns. French director Justine Triet won the coveted Palme d’Or and The Zone of Interest brought in the Grand Prix, the second topmost award at Cannes. The one who surprisingly scooped Best Actress at Cannes was Turkish actor Merve Dizdar for Nuri Bilge Ceylan’s About Dry Grasses.

Last week, Variety reported that Sandra Hüller will be campaigning in the Best Supporting Actress category for The Zone of Interest, while her work in Anatomy of a Fall, would certainly push her in the Lead category. If she is able to crack into both the categories, Sandra would make history as the first actress to mark double nominations for two non-English language performances in the same year.

Besides these performances, other contenders vying for a spot in the Best Actress race include Carey Mulligan in Maestro (directed by Oscar nominee Bradley Cooper, and premiered at Venice), Annette Bening in NYAD (Bening is a beloved industry veteran who has never won, and her film just premiered at Telluride), Natalie Portman in May December (predictably received great reviews after the Cannes premiere), Greta Lee in Past Lives (a solid breakout performance that has been in the buzz since its premiere at Berlin earlier this year), Margot Robbie in this year’s biggest film Barbie, and Fantasia Barrino in The Color Purple (opening in theatres this Christmas).

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Entertainment

Paris Fashion Week, Day Three: Poise and Manners in Motion

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The third day of Paris Fashion Week saw designers exploring the intricate relationship between gestures and clothing, emphasizing how fashion is not just about what we wear but also how we wear it. Collections from Tom Ford, Dries Van Noten, and Courrèges examined the power of poise, movement, and expression in shaping the narrative of style.

Tom Ford: Seductive Refinement

At Tom Ford, the runway exuded understated sensuality with structured silhouettes, slinky fabrics, and sharp tailoring. The collection celebrated the way garments move with the body, emphasizing controlled elegance and effortless allure. The balance between precision and fluidity played a key role in defining the brand’s signature poise.

Dries Van Noten: The Art of Subtle Motion

Dries Van Noten explored grace in everyday movements, showcasing fluid draping, asymmetry, and layered textures that interacted beautifully with body language. Models glided down the runway in sheer overlays, deconstructed tailoring, and muted tones, creating an atmosphere of quiet sophistication.

Courrèges: A Futuristic Take on Gesture

At Courrèges, the focus was on modern minimalism and futuristic silhouettes that adapted to movement. With high collars, sculptural cuts, and sleek monochromes, the collection emphasized how posture and poise can transform a garment. The interplay between rigid and flowing elements created a striking contrast, reinforcing the theme of fashion as an extension of personal expression.

Final Thoughts: Fashion as a Language of Movement

Day three of Paris Fashion Week proved that style is more than aesthetics—it’s about the way clothing interacts with the body and the world around it. From structured confidence at Tom Ford to fluid elegance at Dries Van Noten and futuristic sophistication at Courrèges, each collection redefined the poise and manners of fashion in its own unique way.

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Raye on Her Fashion Evolution and Getting Back in the Studio

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British singer-songwriter Raye is not only making waves in the music industry but also solidifying her place in the fashion world. As the face of Stella McCartney’s summer 2025 campaign, she reflects on her style evolution, her love for Hollywood glamour, and the importance of comfort when creating music.

From a Stella Jacket to a Fashion Campaign

Raye’s connection to Stella McCartney goes back nearly a decade when, at 18, she got her hands on a faux leather jacket from the designer. “I was obsessed and wore it everywhere,” she recalls. Now, she is part of McCartney’s latest campaign, shot by Ethan James Green, alongside Myha’la, Alex Consani, and Eva Mendes. The campaign, themed “Save What You Love,” features AI-generated birds as a call to protect endangered avian species.

Glamour on Stage, Comfort in the Studio

While Raye stuns in vintage-inspired gowns onstage, channeling icons like Diana Ross, Ella Fitzgerald, and Nina Simone, her studio look is far more relaxed. “Comfort is everything,” she says, opting for jeans and a rotation of music industry t-shirts from shows like Tiny Desk, SNL, and Jimmy Fallon.

Her transformation into a style icon was shaped by her first bob haircut nearly five years ago. “It pushed me to feel more confident and excited about fashion,” she shares. Whether she’s performing in elegant gowns or recording in a Stella leather jacket and denim, Raye proves that fashion is just another way she tells her story.

With her fashion presence growing and her music career soaring, Raye continues to embrace both glamour and authenticity—on stage, in the studio, and beyond.

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Halle Berry Styles a Flirty Naked Dress With a Sharp Blazer for an NY Date NightA fan of mixing business and pleasure

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Halle Berry, the ever-glamorous actress and style icon, proved once again that she knows how to turn heads. On a chilly Tuesday night in New York City, Berry braved the freezing temperatures in an outfit that effortlessly blended sultry elegance with sharp sophistication.

Stepping out for a romantic dinner with her boyfriend, musician Van Hunt, the Never Let Go star made a bold statement in a black sheer midi dress. The daring piece featured a silky cupped bra with delicate spaghetti straps and intricate floral lace detailing at the bottom. Underneath, Berry kept things minimal, wearing only a sleek black thong, embracing the “naked dress” trend with confidence.

To add a touch of structure to her risqué ensemble, Berry layered on a black-and-white pinstripe blazer, fastening a single button to let just enough of her lingerie-inspired look peek through. She completed the monochromatic outfit with a pair of glossy black Christian Louboutin pumps featuring signature red soles.

Her accessories were equally striking—Berry opted for a gold chain necklace that cascaded down her chest, matching gold hoop earrings, and a chunky single-stone ring. She styled her hair in a chic wavy bob and kept her makeup subtle, enhancing her eyes with a soft shimmer.

Meanwhile, Van Hunt embraced a completely different vibe, channeling casual comfort with a funky twist. The singer-songwriter stepped out in a cozy blue-and-gray plaid onesie, featuring a hood and a zippered front. He paired it with sleek black heeled boots, adding an unexpected contrast to Berry’s high-fashion look.

The couple’s opposites-attract aesthetic only added to their charm, showcasing their individuality while proving that love and style don’t always have to match. Whether in daring couture or laid-back loungewear, Halle Berry and Van Hunt continue to make a statement—together.

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